Lowdown Brass Band Release Their Roaring New Single "Ghost Town"

 
Photo courtesy of Lowdown Brass Band and The Bloom Effect

Photo courtesy of Lowdown Brass Band and The Bloom Effect

We’ve sure seen our share of hip-hop/funk brass bands over the years, but nothing has compared to the thoughtfully hip, energizing and funky sounds of Lowdown Brass Band (LDB). This thriving eight-piece second-line extravaganza has been marching their way through venues across the U.S., steering audiences through a thrilling brass-powered experience that emulates a diverse and irresistible sound.

With a blistering array of horns, funktacious drums and a powerful sousaphone, the Chicago-based brass set has also perfected a gritty and dynamic sound through the genres of hip-hop, soul, ska and rock. The fusion of MC Billa Camp’s poetic rhymes and adaptive storytelling, one of the band’s leading vocalists, has helped catapulted LDB’s national movement with cruising vocals, ferocious depth and provocative flows that helped audiences to capture the LDB experience.

With the release of their fifth self-produced studio album Lowdown Breaks arriving January 19th, Lowdown Brass Band has continued to build upon their hip-hop, ska and jazz styles under their newest single, “Ghost Town". Lead by Billa Camp with illustrious wordplay, keen lyricism and intricate arrangements, “Ghost Town,” exemplifies LDB’s music through groovy brass hip-hop with a unique alloy of genres that is indulgently entertaining to hear.

What began as a Chicago collaboration between Lowdown Brass Band and Chicago hip-hop punk set, The Dread,” has grown into one of LDB’s biggest songs of 2017, aligning perfectly with the 2018 release of their new LP. With a commanding tempo ripe with roaring horns, long brass and robust beats, the song contrasts perfectly with Billa Camps flourishing vocals and profound individuality.

What we really dig about LDB’s new track is the music video – an entertaining, high-energy adventure shot on a fishing boat during Lowdown Brass’s Alaskan tour in July 2017. As a recommendation of a great way to see the Cordova region in Alaska, the band brought their instruments on the boat and randomly had a quick jam session right in the middle of the Prince William Sound. Suddenly, the session quickly turned into a video shoot for “Ghost Town” with people on the boat shooting the session entirely on their iPhone’s. A wild ride filled with humor and dance, Lowdown Brass Band’s “Ghost Town” video is one for the ages and is certainly a must watch!

LDB’s barrier breaking sound is as intricate and explosive through your headphones, as it is on-stage: A second-line brass-knuckle spectacular that gets you on your feet and keeps the party pumping all-night long. They’re a band that get’s it: progressive brass beats with a festive attitude and a groovy onslaught of stellar vocal harmonies and horns that are marvelously entertaining and unique. Lowdown Brass is a band that can’t be missed and a must see for when they march across your town.

For more on Lowdown Brass Band, follow their social media and stream/download their music below. 

 

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Water Seed Marvels The Bitter End During The We Are Stars 2017 Tour

 

Water Seed continues their dominance as one of the premier funk/soul acts in the independent music scene. Their performance at The Bitter End resulted in a pumped-up-crowd standing ovation that marveled New York City through the bands innovative musicianship.

Hailing from New Orleans, Water Seed’s funkalistic performance was vocally breathtaking, soulfully beloved and instrumentally magnificent as the sounds of jazz, funk and early 60’s R&B flushed throughout the legendary NYC venue.

Water Seed kicked off the night with a little “Funktimus” while audiences danced away to their seats, feeling the vibe of Water Seed’s livid and extravagant sound filled with dynamic horns, immense string and rumbling percussion that ascended through rivetingly alluring vocals. The band’s impressively funktagious performance blew us away with a jammed out session bursting with big band arrangements and reverberating instrumentation.

Water Seed’s breezy Nawlins’ groove, “Work It Out,” was a delightfully smooth example of the band’s soulful and jazzy-esque sound that allowed audiences to give themselves away to the chilled early 60’s boardwalk rhythms. Water Seed’s refreshing jazz piece, “Duke’ish,” held electrically jazzy overtones, funky 70’s-esque vibes and profound artistry that merged beautifully among soothing keys and distinct basslines.

Nawlins’ finest then gave the crowd a little positivity under their song, “Brand New Day,” as Lou Hill led the charge with an “I feel good! - I feel great!” chant, guiding audiences through a full-on jazz-funk fest filled with a harmoniously spacious flute, seductively provocative keys and driven horns. Berkley The Artist and Shaleyah added another powerful vocal performance as Water Seed jammed out on stage in front of a packed crowd, offering a climactically exhilarating voice ushered with gospel-esque and funkadelic rhythms.

Water Seed’s memorable performances continue to be a testimony to the band’s innovative and progressive style that has dominated the indie music scene. Their album is rich with immense sound, charming melodies, funkalistic grooves and complex instrumentation. Their sound forces audiences on their feet – to dance, applaud and relish in the Water Seed experience.

The band’s vigorous energy, jazzy arrangements, along with genre binding musicianship, allows Water Seed to sustain their spine-tingling presence within a genre that continues to gain appeal in the industry.

Make sure to catch Water Seed live in a city near you and download/stream, “We Are Stars,” today! Tour dates and locations shown below.

 

Tour Dates

7/13. Seven. Santa Barbara, CA

7/18. Hotel Utah. San Francisco, CA

7/19. Crazy Horse. Nevada City, CA

7/20 through 7/22. Peppermill Casino. Reno, NV

7/23. Lagunitas. Petaluma, CA

7/25. Winston's. San Diego, CA

7/27. Pour House. Oceanside, CA

7/28. Hotel Cafe. Los Angeles, CA

 

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Bruce Sudano Examines Music, Society & Politics at The Cutting Room

 
Bruce Sudano on stage at The Cutting Room.

Bruce Sudano on stage at The Cutting Room.

Bruce Sudano performed his record release show this month at The Cutting Room in New York City for his new album “21st Century World". In front of a full crowd at the renowned midtown venue, Sudano guided us through his journey of love, reflection and acceptance, while also brilliantly examining the societal, political and emotional facets we endure today.

A prolific singer-songwriter and instrumentalist, Bruce Sudano has had a distinguished career co-writing songs for Michael Jackson, Jermaine Jackson, Dolly Parton, Reba McEntire and his late wife, the Grammy-awarding winning and generation-defining artist, Donna Summer.

For music enthusiasts out there (including you hardcore disco fans), Sudano managed most of Donna Summer’s career and co-wrote some of her biggest hits including “Bad Girls”. Sudano was also one of the founding members of late 60’s pop-rock band Alive N’ Kickin’ and late 70’s doo-wop/soul band Brooklyn Dreams. Alive N’ Kickin earned a Billboard Hot 100 spot with their record “Tighter, Tighter,” as well as Brooklyn Dreams with their song “Music, Harmony and Rhythm".

Bruce Sudano performing "Your World Now" during his album-release show at The Cutting Room.

Bruce Sudano performing "Your World Now" during his album-release show at The Cutting Room.

Just coming off a European tour with emerging New York rock band, Hollis Brown, Sudano’s masterful performance was an inspiring, bold and informative excursion into the human element of today’s social and political challenges. The veteran musician’s distinct range of sound, beautifully coiled melodies and visionary storytelling illustrated Sudano’s brilliance on stage and the meticulous artistry he provides in his music.

As opposed to the jazz, pop and soulful elements portrayed in previous solo works, Sudano’s recent masterpiece provides listeners with components of American rock & roll, folk and activist song-writing that merge the lines between music and politics. Since the untimely passing on his late wife, Sudano’s music has increasingly gone into the fabrics of adulthood and the issues surrounding our society through his personal experiences.

In a direct testament to Sudano’s versatility and reach as an artist, we witnessed the singer-songwriter’s adaptive lyricism and precise compositions in his songs “Your World Now” and “It Ain’t Cool". Sudano’s intuitive arrangements gave off indie-folk and rock elements that enhanced a collection of voluminous beats, sassy strings and fine narratives. His passion and confident eloquence were illustrated beautifully in these performances as he sat intimately close to us, singing the memoirs of our time.

Bruce Sudano performs "21st Century World" at The Cutting Room

Bruce Sudano performs "21st Century World" at The Cutting Room

His songs “True Believer” and “Common Sense” exemplify Sudano’s strength as a vivid storyteller and a measured songwriter. His take on the meaning of Christianity in “True Believer” are presented with still folk harmonies and revealing Americana vibes. In “Common Sense", Sudano provides a softer piece coupled with a smoldering outrage that calls for us to wake up and understand the responsibilities within our fragile society.

One of the more memorable segments of the evening featured Mike Montali, lead singer of New York rock band Hollis Brown and producer of Sudano’s “21st Century World” album, who performed over Sudano’s cover of Tracy Chapman’s “Talkin’ Bout a Revolution". As the crowd majestically clapped their hands, Montali and Sudano delivered a resounding performance that was filled with a communal and defiant sound.

Bruce Sudano (far-left) and Mike Montali (right) performing Tracy Chapman's "Talkin' Bout a Revolution" at The Cutting Room.

Bruce Sudano (far-left) and Mike Montali (right) performing Tracy Chapman's "Talkin' Bout a Revolution" at The Cutting Room.

With storied musicianship, gifted songwriting and avid storytelling, Bruce Sudano’s sound has transcended throughout the decades from timeless dance hits to protest memoirs. Despite the ups and downs throughout his career, Bruce Sudano has maintained relevancy with an ever-changing sound that customizes to the changing times. “21st Century World” is a brilliant example of Sudano’s resilient lyricism, indulging musicianship and embracive measure. Certainly a must listen for the year.

Bruce Sudano on the guitar at The Cutting Room.

Bruce Sudano on the guitar at The Cutting Room.

For more on Bruce Sudano, please visit his social below and make sure to download/stream, “21st Century World,” today. Out now on all digital and streaming music platforms.

 

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Raul Midón Releases New Single “Pedal to The Metal” ahead of his upcoming album “Bad Ass and Blind”

 
Photo courtesy of Blair Allen

Photo courtesy of Blair Allen

Raul Midón unveiled his latest heel-clapping single last week, “Petal to The Medal,” as the multi-instrumentalist singer-guitarist will release his highly anticipated ninth studio album “Bad Ass and Blind” this Friday.

Midón’s latest tune is a true testament to the percussionist’s jazz-inspired soul that has placed him among some of the finest musicians in the genre. This get-on-your-feet jam is a philosophical expression that glides into Midón’s musical success, confidence and commitment that drives his passion for music and instrumentation.

Visually challenged at birth, Raul Midón’s artistry allowed him to shatter barriers throughout the industry, playing along side the likes of Jose Feliciano, George Benson, Shakira, Stevie Wonder and the late great Al Jarreau. His influences in the Latin, jazz and soul genres, exemplify Midón’s willingness to adopt, evolve and sustain his sound that has spanned over an illustrious thirty-year career.

Raul Midón’s mastery of the guitar, percussion and complex vocals stem from his extensive musical experience and influences. His elusive style on the strings enables Midón to create a jazz-infused flamenco that allows his audience to embrace his harmonic melodies and tender voice. Midón’s impressive vocal-horn technique creates a Miles Davis-esque sound that brings roaring 20’s bebop sound straight from his lips.

Along with his free two-hand play that makes him synonymous with a “one-man orchestra,” Raul Midón’s music elicits the freedom, enthusiasm and charisma that aptly provide strong instrumentation with complex rhythms and keen lyricism.

We truly recommend experiencing this brilliant artist and his music, as Midón’s impeccable work is a constant reminder as to why this genre remains a must-listen for years to come.  Make sure to pre-order his album today!

 

Guitar Center Clinic:

Raul Midón will be kicking off the New York leg of his “Bad Ass and Blind” tour with his Guitar Clinic at Guitar Center Time Square on Thursday, March 23rd at 6:00pm. Fans will be able to witness the singer-songwriter perform live, host a Q&A for fans, and offer a meet & greet. The show is opened to the public. Please arrive early, as space is limited.

 

Album Release Show:

Also, come out this Friday, March 24th, to watch Midón perform live at the Highline Ballroom for his album release show. Doors will open at 6:00pm and show starts at 8:00pm.  RSVP today!

 

Follow, stream and listen to Raul Midón on his social below!

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Water Seed Gives Audiences a Pulse-Pounding Performance at The Bitter End

 
Water Seed put on a funkadelic set at The Bitter End. Photo courtesy of Kevin Vallejos.

Water Seed put on a funkadelic set at The Bitter End. Photo courtesy of Kevin Vallejos.

There are few bands that are able to lift you from your seat, get your ass dancing and shake you to the core. This month, at The Bitter End, we came across a seductively ferocious, untamed and blistering hot act that had the entire venue moving their hips – forcing us to fall victim to the funkalicious grooves and electrifying vocals of this incredible New Orleans based band.

Water Seed live at The Bitter End. Photo courtesy of Kevin Vallejos.

Water Seed live at The Bitter End. Photo courtesy of Kevin Vallejos.

Water Seed is soulfully wicked, progressively complex and dynamically elegant. The indie-band’s indulging appetite for keen musicianship, passionate lyrics and uncontainable energy illustrate Water Seed’s versatility that spans the sounds of funk, jazz, gospel and soul. Deeply rooted in rhythm and classical music, Water Seed seeks to rekindle a unique flame in independent music that relishes on originality and creativity.

J Sharp on the keys live at The Bitter End. Photo courtesy of Kevin Vallejos.

J Sharp on the keys live at The Bitter End. Photo courtesy of Kevin Vallejos.

Originated by multi-instrumentalist Lou Hill, Water Seed delivered a high-energy performance equipped with affable melodies and an innovating sound that's conquered the hearts of audiences nationwide. Water Seed stunned us all that evening with empowering vocals, gorgeously soothing beats and romanticizing keys – coupled with a funk-infused style that had the West Village pumping.

Lou Hill was an incredible force on drums and played a perfect host for the packed out Bitter End crowd. We were hooked by Hill’s groovy rhythms and agile beats, providing a volcanic addition to Water Seed’s dominating showcase. His drum play was gripping, ill and explosive. Thoughtfully tooled with personality and charisma, Hill’s soulful and jazzy performance had us on our feet the entire set.

Lou Hill getting down on the drums at The Bitter End. Photo courtesy of Kevin Vallejos.

Lou Hill getting down on the drums at The Bitter End. Photo courtesy of Kevin Vallejos.

Jentleman Sharp’s (J Sharp) fantastic play on the keys offered a tendered and sophisticated sound that resonated from the keyboardist’s savvy and polished compositions. His performance was breathtaking – poised, charismatic and lean. His play levitated us from our seats, calling us to focus on him and the band as a whole. His acute sense of strategic music arrangements offered more depth and complexity to Water Seed’s already multifaceted sound.

Shaleyah on vocals at The Bitter End. Photo courtesy of Kevin Vallejos.

Shaleyah on vocals at The Bitter End. Photo courtesy of Kevin Vallejos.

Shaleyah and Berkley the Artist sing away at The Bitter End. Photo courtesy of Kevin Vallejos.

Shaleyah and Berkley the Artist sing away at The Bitter End. Photo courtesy of Kevin Vallejos.

Lead singers, Shaleyah and Berkley the Artist, were outstanding throughout the evening. Their soulful and gospel-esque vocalists carried the room towards the stage and never let us go. They elicited powerful melodies and tantalizing hymns that paired perfectly with the bands Nawlins party funk and choir praising style. Along with an array of orchestral-trained instrumentalists and renowned flutist, Chinese, Shaleyah and Berkley conquered the legendary Bitter End with a party-like atmosphere that collectively struck our desires of great music and dance.

Chinese on flute at The Bitter End. Photo courtesy of Kevin Vallejos.

Chinese on flute at The Bitter End. Photo courtesy of Kevin Vallejos.

Water Seed is not only one of the biggest emerging artists coming out of the Big Easy – they’re a movement – a transforming marathon that graciously offers a unique infused look at how contemporary funk, jazz and soul should work together. Stemming from the sounds of both new and old, this high-energy, electrifying future-funk coalition has funked the hell out of some of the biggest joints in the country. Along with a relentless advocacy for empowering rhythms, soulful melodies, church wailing vocals and just straight up funkadelic rifts, Water Seed is a game changer in the independent music scene.

Berkley the Artist and Chinese live at The Bitter End. Photo courtesy of Kevin Vallejos.

Berkley the Artist and Chinese live at The Bitter End. Photo courtesy of Kevin Vallejos.

This is a must watch for anyone who wishes to experience an electrified show filled with blood-pumping music and an impressive live act. Get funked up with this revered all-star cast today and catch them in a city near you.

 

Water Seed

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Don DiLego Puts on a Foot-Stomping Performance at The Bowery Electric

 
Don DiLego & band at The Bowery Electric. Photo courtesy of Kevin Vallejos.

Don DiLego & band at The Bowery Electric. Photo courtesy of Kevin Vallejos.

Alt-country artist, Don DiLego, gave us a foot-stomping performance at the Bowery Electric this month during his impressive record release show for his new album Magnificent Ram A. Along with a bottle of bourbon and a few bales of hay, DiLego’s astonishing seven-piece band rocked the stage as they wooed the sounds of western Americana and some feel good rock n’ roll in front of a packed-audience.

Coupled with fellow indie-folk artists, Linda Draper and Emily Duff, the Velvet-Elk crooner commanded an impression collection of musical arrangements that gently carried the crowd through a cowboy’s journey – synonymous with the old whiskey saloons and boot strapping jamborees of the great west. DiLego’s outstanding performance provided a collage of rich complex melodies that had us both moving our hips and singing along to the indie-folk singer’s dynamic vocals paired masterfully with a gritty acoustic sound.

Don DiLego performs at his record release show. Photo courtesy of Kevin Vallejos.

Don DiLego performs at his record release show. Photo courtesy of Kevin Vallejos.

DiLego performed the majority of his songs from Magnificent Ram A throughout that steamy Thursday evening, portraying his innovative delicacies both on stage and in his new record. DiLego’s music provided a range of indie-folk harmonies, graceful melodies and the pride of blue-collar heartland rock. DiLego’s mastery was illustrated perfectly on stage with the harmonious beauty “Go Pack Your Suitcase” and the soothing gospel-esque tune of “Running in Place with a Desperate Heart.” With every heart-felt note, DiLego’s caressing vocals and comforting rhythms passionately embraced the crowd, encouraging us to follow his carefully orchestrated compositions that profoundly detail DiLego’s precise musicianship.

Photo courtesy of Kevin Vallejos.

Photo courtesy of Kevin Vallejos.

Photo courtesy of Kevin Vallejos.

Photo courtesy of Kevin Vallejos.

DiLego’s complex sound and on stage depth, however, howled for audiences to jump on their feet during DiLego’s alt-country jams, “Drive Like a Pirate” and “I’m on Fire.” Here, we witnessed a contrast to DiLego’s phonic sound with a gritty savory arrangement to his music along with an his incredible relationship with his already endearing fans, mustering them together as they sung and dance to his Americana tunes. DiLego’s country anthem, “The Westside Oak” had us all stomping our feet and clapping, revealing the versatility that exists with DiLego’s on-stage presence.

Photo courtesy of Kevin Vallejos.

Photo courtesy of Kevin Vallejos.

Photo courtesy of Kevin Vallejos.

Photo courtesy of Kevin Vallejos.

Linda Draper and Emily Duff provided a perfect mesh for DiLego’s record release show portraying both indie-folk harmonies and gospel-esque chords to the brewing audience for DiLego’s headline set. Draper’s tranquil vocals and in-depth storytelling delighted the on-hands crowd, drawing them closer to her tender musical arrangements that soothed listeners as they eased their way into the Bowery’s main stage.

Linda Draper performs at The Bowery Electric. Photo courtesy of Kevin Vallejos.

Linda Draper performs at The Bowery Electric. Photo courtesy of Kevin Vallejos.

Duff’s acoustic trio provided an incredible blend of folk, gospel and heartland rock n’ roll throughout their impressive set. Along with guitarist Scott Aldrich and Skip Ward on the “gut bucket bass,” Duff’s sensational compositions and powerful lyrical ability provided audiences with an array of bible-belt blues and Americana novelties.

Emily Duff performs at The Bowery Electric. Photo courtesy of Kevin Vallejos.

Emily Duff performs at The Bowery Electric. Photo courtesy of Kevin Vallejos.

After witnessing Don DiLego's incredible performance, it is safe to say that the indie-folk rocker is in a class of his own. Gathering amongst the sounds of old country and contemporary rock, DiLego has set the bar for how the sound of modern country should be. His ingenious lyrical ability and savvy storytelling technique places us, as an audience, in the boots of the modern cowboy, and within the heart and pride of blue-collar Americana, in each of his works.

Don DiLego at The Bowery Electric. Photo courtesy of Kevin Vallejos.

Don DiLego at The Bowery Electric. Photo courtesy of Kevin Vallejos.

DiLego’s dynamic energy on-stage and the utilization of his flourished cohesive sound, makes him one of the best singer-songwriters in the genre. DiLego’s emerging status within the alt-country scene has made him a must-see act whose music we highly recommend for you to listen. His new album, Magnificent Ram A, is out now on digital, streaming and vinyl via Velvet Elk Records/One Little Indian. Follow and listen to Don DiLego today!

 

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The Zombies Reclaim their Status Amongst The Pillars of Rock & Roll In NYC

 
 
 

Rod Argent and Colin Blunstone - founding members of legendary British invasion band the Zombies - played an impressive set at Rough Trade NYC last month in front of a packed-house filled with generations of inspired fans. Argent and Blunstone showcased an incredible set that was indicative of the Zombies harmonious sound and psychedelic expressions. Their performance highlighted how the band has reclaimed their relevancy in the rock & roll genre; while also making a substantial impact on both older and younger audiences bridging the gap between classic and modern rock.

As with most British Invasion bands that spread through the airwaves throughout the early to mid-1960s, the Zombies began touring the United States in 1964 behind their hit single, “She’s Not There,” which peaked to No. 2 on the Billboard Hot 100. the Zombies performed at various venues across the U.S. while on tour and made their first U.S. television appearance in 1965. Their subsequent hit single, “Tell Her No” peaked at No. 6 on the Billboard Hot 100 in March of 1965 and had become one of their biggest U.S. releases.

After signing with CBS Records from Decca Music Group, the Zombies released their classic studio album, Odessey and Oracle, in 1968. Over the past several decades, the album has since received international acclaim as one of the staples of 1960s expressionism with the Zombies hit song, “Time of The Season,” “This Will Be Our Year” and “Care of Cell 44.”

On that Thursday evening in Brooklyn, we were honored to witness Argent and Blunstone perform some of the Zombies' hit songs that triumphed during their 1960's debut. With open arms, Blunstone’s entrancing voice embraced audiences as they were drawn closer to the intriguing harmonies and melancholy hooks. The duo opened the show with the charming “Tell Her No” followed by the Zombies' debut hit “She’s Not There.” We stood together with the crowd and sang along with Blunstone’s cadent voice, echoing graciously across the stage. He helped the crowd follow his lead, providing comfort for both those reviving their youth and for the new generation reaffirming their appreciation for the Zombies' pioneering sound.

We were ultimately blown away when the Zombies performed their hit song, “Time of The Season,” when the crowd, no matter the generation, sung along to the classic record. Blunstone and Argent’s breezy acapella smoothed our ears with the songs expressive harmonies and relaxed melodies that were able to make us feel as one. They also performed songs from Still Got That Hunger, which provided audiences with a fresh taste of the Zombies latest works such as, “Moving On” and “Edge of the Rainbow,” that exemplified the band’s historic versatility and dynamic reach within their music.

Our experience of the Zombies performance that evening was intangible. The ability to witness these two pioneers of rock & roll brought upon a rare treat that reinforced our appreciation for musicians from that classic area and illustrated how powerful their impact has been and will be on current and future musicians. Although their music careers have had twists and turns – make no mistake – the Zombies are here to stay. As one of many 60’s and 70’s rock bands re-defining their legendary status through new albums and sold-out tours around the world, the Zombies have come off the bench and into the starting line-up.

Their new album is filled with vividly expressive lyrics, powerful instrumental talent, and a puff of smoky vocals that's rare to find these days. The Zombies showcased those talents effortlessly at Rough Trade, and most importantly, they did so by collectively bringing back the classic hits that continue to draw appreciation from fans and musicians across the world. They have continued their musical journey that aims to break barriers and surpass preconceived notions of rock: we couldn't be any more thrilled to hop along for the ride.

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