Bruce Sudano Examines Music, Society & Politics at The Cutting Room

 
Bruce Sudano on stage at The Cutting Room.

Bruce Sudano on stage at The Cutting Room.

Bruce Sudano performed his record release show this month at The Cutting Room in New York City for his new album “21st Century World". In front of a full crowd at the renowned midtown venue, Sudano guided us through his journey of love, reflection and acceptance, while also brilliantly examining the societal, political and emotional facets we endure today.

A prolific singer-songwriter and instrumentalist, Bruce Sudano has had a distinguished career co-writing songs for Michael Jackson, Jermaine Jackson, Dolly Parton, Reba McEntire and his late wife, the Grammy-awarding winning and generation-defining artist, Donna Summer.

For music enthusiasts out there (including you hardcore disco fans), Sudano managed most of Donna Summer’s career and co-wrote some of her biggest hits including “Bad Girls”. Sudano was also one of the founding members of late 60’s pop-rock band Alive N’ Kickin’ and late 70’s doo-wop/soul band Brooklyn Dreams. Alive N’ Kickin earned a Billboard Hot 100 spot with their record “Tighter, Tighter,” as well as Brooklyn Dreams with their song “Music, Harmony and Rhythm".

Bruce Sudano performing "Your World Now" during his album-release show at The Cutting Room.

Bruce Sudano performing "Your World Now" during his album-release show at The Cutting Room.

Just coming off a European tour with emerging New York rock band, Hollis Brown, Sudano’s masterful performance was an inspiring, bold and informative excursion into the human element of today’s social and political challenges. The veteran musician’s distinct range of sound, beautifully coiled melodies and visionary storytelling illustrated Sudano’s brilliance on stage and the meticulous artistry he provides in his music.

As opposed to the jazz, pop and soulful elements portrayed in previous solo works, Sudano’s recent masterpiece provides listeners with components of American rock & roll, folk and activist song-writing that merge the lines between music and politics. Since the untimely passing on his late wife, Sudano’s music has increasingly gone into the fabrics of adulthood and the issues surrounding our society through his personal experiences.

In a direct testament to Sudano’s versatility and reach as an artist, we witnessed the singer-songwriter’s adaptive lyricism and precise compositions in his songs “Your World Now” and “It Ain’t Cool". Sudano’s intuitive arrangements gave off indie-folk and rock elements that enhanced a collection of voluminous beats, sassy strings and fine narratives. His passion and confident eloquence were illustrated beautifully in these performances as he sat intimately close to us, singing the memoirs of our time.

Bruce Sudano performs "21st Century World" at The Cutting Room

Bruce Sudano performs "21st Century World" at The Cutting Room

His songs “True Believer” and “Common Sense” exemplify Sudano’s strength as a vivid storyteller and a measured songwriter. His take on the meaning of Christianity in “True Believer” are presented with still folk harmonies and revealing Americana vibes. In “Common Sense", Sudano provides a softer piece coupled with a smoldering outrage that calls for us to wake up and understand the responsibilities within our fragile society.

One of the more memorable segments of the evening featured Mike Montali, lead singer of New York rock band Hollis Brown and producer of Sudano’s “21st Century World” album, who performed over Sudano’s cover of Tracy Chapman’s “Talkin’ Bout a Revolution". As the crowd majestically clapped their hands, Montali and Sudano delivered a resounding performance that was filled with a communal and defiant sound.

Bruce Sudano (far-left) and Mike Montali (right) performing Tracy Chapman's "Talkin' Bout a Revolution" at The Cutting Room.

Bruce Sudano (far-left) and Mike Montali (right) performing Tracy Chapman's "Talkin' Bout a Revolution" at The Cutting Room.

With storied musicianship, gifted songwriting and avid storytelling, Bruce Sudano’s sound has transcended throughout the decades from timeless dance hits to protest memoirs. Despite the ups and downs throughout his career, Bruce Sudano has maintained relevancy with an ever-changing sound that customizes to the changing times. “21st Century World” is a brilliant example of Sudano’s resilient lyricism, indulging musicianship and embracive measure. Certainly a must listen for the year.

Bruce Sudano on the guitar at The Cutting Room.

Bruce Sudano on the guitar at The Cutting Room.

For more on Bruce Sudano, please visit his social below and make sure to download/stream, “21st Century World,” today. Out now on all digital and streaming music platforms.

 

Bruce Sudano

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#WomenInRock: A Music Series Kick-off at The Bowery Electric

 
Danielle Minch at guitar during our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Danielle Minch at guitar during our #WomenInRock show. Photo courtesy of Kevin Vallejos.

We launched our very first “Women In Rock” show at The Bowery Electric’s last week, featuring some of the rising female-led bands that are re-defining today’s independent music throughout New York City.

Singer-songwriter/guitarist, Nessa Dove, kicked off our show with a vibrant performance that filled the Map Room with airy licks, sonic rips and electrifying strings, drawing audiences towards the dimmed-light Map Room on that dreary Tuesday night. The Queens-based musician was inviting, gripping and energized with heavy doses of rhythm and soul. Performing songs from her latest EP “Here We Go,” as well as upcoming music releasing later this summer, Nessa portrayed a mean guitar play, catchy vocals and indulging arrangements that blended the genres of alternative, blues and pop for us to experience beautifully on stage.  Her performances to the smooth riding titled EP song “Here We Go” and the rock heartbreaking tune “Last Cigarette” left us captivated and mesmerized by Nessa’s firm, yet delicate strings, soft melodies and easy-riding rifts. 

Nessa Dove on vocals at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Nessa Dove on vocals at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Multi-instrumentalist, Katie Zaccardi, was the second act on our bill that provided us with a gentle performance bounding the elements of indie-folk, country and alternative beautifully together. Her crooning vocals and compelling lyrics expressed vibrantly on stage, as she played alongside her four-piece band performing some of her new songs and selected covers throughout the set. Equipped with a unique alternative sound that mirror the pillars of Americana and alternative-folk music, Zaccardi’s musicianship and songwriting ability were illustrated profoundly through her songs “Cave” and “Crazy.” Both compositions were a testament to Zaccardi’s artistry, dynamic lyrics and quilted arrangements stuffed with pop and rock mixtures.

Katie Zaccardi crooning the night away at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Katie Zaccardi crooning the night away at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Talullah Ruff and Behind The Façade closed out the night with a dazzling rock and singer-songwriter finale that wowed the Bowery Electric audience to their feet. Talullah’s vocals and play on the keys was elegant, mesmerizing and hauntingly glowing. Her detailed compositions and heartfelt songwriting hushed the Map Room crowd, as she performed graciously with an uncanny approach that was gentle, collected and refine. As confident as she was anxious, Talullah expressed her artistry with a measured sense of love and reflection through a unique piano and bluesy alternative sound. Her performances to “Hungry” and “In Love With My Paper Skin” flowed majestically throughout the quiet space with powerful harmonies and beautiful keys.

Talullah Ruff on keys at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Talullah Ruff on keys at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Female-fronted alternative-pop and rock band, Behind The Façade, headlined our “Women in Rock” show with an all-star jam fest that had Map Room audiences on their feet, bobbing their heads and pumping their fists. Straight from the inner boroughs of New York City, Behind The Façade provided an awesome show-stopping experience that filled the Bowery Electric with ear-shattering amps, ferocious rifts and explosive beats.  The hardcore punk-pop band howled loudly through our ears offering a rush of crushing attitude, absolute command and daring confidence.

The band’s lead vocalist/guitarist, Danielle Minch, put on a superb performance for us with clean and rejuvenating vocals, entrenched guitar play and thriving lyrical ability. Danielle maybe small in stature, but it’s her demeanor and musicianship that maintained a grand and invigorating presence on stage that magnified the band’s dominating poise and tenacity. Guitarist Louie Baerga and bassist Nick Quiles provided the backbone to the band’s wild and airy presence. Baerga’s energized performance on strings and reverberating vocals were exhilarating: a perfect one-two punch and pairing to Danielle’s dynamic presence. Along with drummer Christian Estrella, the band kept jamming throughout the set – never letting the energy suck out of the room. We all were trapped to BTF’s realm of punk-infused pop and heavy-hitting rock music.

Danielle Minch and Louie Baerga on vocals. Photo courtesy of Kevin Vallejos.

Danielle Minch and Louie Baerga on vocals. Photo courtesy of Kevin Vallejos.

Nick Quilles on bass and Danielle Minch at the mic. Photo courtesy of Kevin Vallejos.

Nick Quilles on bass and Danielle Minch at the mic. Photo courtesy of Kevin Vallejos.

Christian Estrella on drums at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

Christian Estrella on drums at our #WomenInRock show. Photo courtesy of Kevin Vallejos.

The band’s performances to “Good Intentions,” “Hypochondriac” and “Things to Believe In” was a roaring amplified diary that put us in the middle of a late afternoon Vans Warped Tour set or an evening jam fest from the old Bronx Underground days. The sonic echo that pulverized the Map Room speakers was tantalizing and made us hungry for more, as we lost ourselves to the adrenaline and electrified velocity of alternative-punk music.

With the lasting presence of female-fronted bands in the independent music scene, female artists have always adopted a unique approach with how they have merged their various genre and songwriting skills. Whether it’s through early 90’s punk, southern blues, powerful ballads or mid-60’s activism, these female icons have been able to adopt a holistic sound that has re-defined the way we view and listen to music both then and now in today’s evolving society.

The artists who performed during our #WomenInRock show exemplify not only poise, confidence and charisma, but more importantly that quality musicianship goes beyond sex, gender, ethnicity or background. Their unconventional sound spans across genres to develop a hearty following of fans that fall in love with the artist and their music just the same. With future records, bigger shows and more touring to come, it's safe to say that these musicians will undoubtedly hold their spot in the New York City music scene with much more to come. 

 

Behind The FaçadeFacebook | Twitter

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Talullah Ruff | Twitter

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Nessa DoveFacebook | Twitter

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Katie Zaccardi | Facebook | Twitter

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American Pinup Leads a Stellar Indie-Line up at The Fox and King's Annual Farewell Summer Show

 
American Pinup at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

American Pinup at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Last weekend, we bid the summer season adieu with our 5th annual Farewell Summer Show at New York’s famed Arlene’s Grocery. Our closing party featured a stellar line up of indie-rock trios that crushed the stage with a gut-pounding performance and electrifying sounds that pulverized its way across the Lower East Side.

In front of a hands-on crowd that Saturday evening, Mala Vista, FREAKABOUT and American Pinup reverberated the sounds of 70’s punk rock, early 90’s grunge and alternative heartland rock that helped forged the halls of the famed LES venue twenty years ago. Each band displayed a roaring, smoky and exhilarating live performance that blew us all away. Coupled with detailed lyrical compositions and complex musical arrangements, these emerging acts set blaze to a storm of sonic energy, gripping vocals and static chords that set new standards for how our Farewell Summer Shows should be.

Myke Miranda on the strings and vocals at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Myke Miranda on the strings and vocals at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Mala Vista kicked off the show with a late 70’s punk rock statement synonymous of the days when The Ramones and the Clash blew the lights out on every corner of The Bowery and East London. Their presence on stage was commanding, economical and innovative. The dominance of their grungy-esque sound, elevated vocals and driving guitar licks portrayed a level of confidence and a no-nonsense attitude that forced us to listen and pay attention.

On Mala Vista’s punk anthem “Bare Bones,” lead vocalist/guitarist, Myke Miranda, portrayed a politically charge vocal that catapulted an array of expressive notes and an oppressing reach. Bassist, Manuel Labour, and drummer, Jordache®, set off an explosive supporting role with exceptionally lean beats and a vicious baseline. With accompanying performances of several covers, this band was an amazing opening act that helped prepare the crowd for the rest of our closing party.

Jordache on the bass at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Jordache on the bass at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Another impressive act that evening, FREAKABOUT, came all the way out from Omaha, Nebraska to kick off their national tour with headliner, American Pinup. Both bands had their anchor dates the night before and were sharing the bill together for a second-straight time in New York. The four-piece act, embedded in classic rock’ n’ roll, steer-headed a dynamic performance with an abundance of energizing sounds, vicious guitar riffs and conquering beats.

Cortney Kirby’s powerful, yet sensual voice, embraced our ears with powerful lyrical compositions that sent our minds floating in a mist of rock and pop melodies. Her roaring vocals portrayed a gentle touch that took command of the audience and guided them through a heart-pounding experience through a journey of how rock ‘n’ roll music is supposed to be.

Aaron Galvin ripping the guitar. Photo courtesy of Kevin Vallejos.

Aaron Galvin ripping the guitar. Photo courtesy of Kevin Vallejos.

Cortney Kirby on vocals at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Cortney Kirby on vocals at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Aaron Galvin’s kick-ass guitar play blew the amplifiers and speakers away with a thunderous assault on the strings, echoing the sounds of heavy blues and hardline rock. Along with drummer, Ian Francis, and bassists, Ben Frerichs, FREAKABOUT put on a masterful live performance that elicit a unique heartland and hard rock sound that had audiences bobbing their head and moving their hips.

American Pinup headlined our Farewell Summer Show with a galvanizing performance that swept Arlene’s off their feet. The three-piece alternative-punk and pop-rock band was sonorously provocative with fist-clenching vocals, leathery beats and an unyielding guitar play that pressured us to breakdown the walls.

Lauren West at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Lauren West at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

With thoughtful music arrangements and seasoned lyrical depth, front crooner, Lauren West, provided a boisterous indie-rock howl that was both versatile and gripping. West’s savvy and rapturous melodies generated edgy hooks and a rousing punk-rock attitude that twisted itself around the band’s music and lyrical structure. John Casale’s vicious drum set rendered a stringent assault of hard-iron beats and impetuous grooves that drew from the band’s expressive punk-rock persona and pop rock explosiveness. Along with a juicy baseline by bassist, Tim Robbins, American Pinup showed us why they're one of the most robust and versatile live acts in the indie-scene today.

John Casale on drums and Tim Robbins on bass at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

John Casale on drums and Tim Robbins on bass at Arlene's Grocery. Photo courtesy of Kevin Vallejos.

Each year we try and pull off something magical and different for you – the fans – for our annual Farewell Summer. Whether it’s extra merch, more bands on the bill or deals at the door, we’ve always put our friends, audiences and artists first: this year was no different. This was truly something special. With three insanely impressive bands, a great crowd and good vibes, this year’s Farewell Summer Show blew the doors off. With a gnarly pro-expressive attitude, these indie live acts provided gut-busting rhythms, savvy grooves, beefy vocals and flaying electric riffs that came out and conquered us all, allowing us to fall victim to the music that we heart the most: rock’ n’ roll. We couldn’t thank you all enough for being with us for the taking.

Listen, like and follow Mala Vista, FREAKABOUT and American Pinup below. Also check out our show recap on our You Tube page below.

Show Recap

 

Mala Vista

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FREAKABOUT

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American Pinup

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