Exclusive: From The Void and Back, TheLvnguage Has Something New In Store

It’s 2:00 AM, you’re hurtling 80mph down an empty highway bare knuckled and blinded by the strobe-like streak of passing road lights. The night is young, the car radio is deafening, and as you gleefully push the engine further, and faster, you fall deeper into the void. If you could imagine the gnarly, manic, atmosphere that TheLvnguage brings to life with their new single, “From The Void”, this scene is right on target.

Like most bands, time and self discovery over each record released can alter the sound and tone of their work; records change, genres shift, and limits are tested. Musical experimentation sometimes leads to a complete loss of a bands’ identity; TheLvnguage, however, breaks this mold with a heavy fist ready to embrace their darker side. We had the opportunity to chat with Rob Van Zandt regarding the bold decision to evolve their sound and just go with it, he went on to say, “We just kept writing more and more eerie/ominous shit...The album in full so far is pretty cool in terms of rising intensity from start to finish.”

After hearing the track two, three, five times, I had to know just what the hell their process was behind this track. Moving from a smooth, wavy, tune like “Lazy Baby” to an eclectic tone reminiscent of an LA car chase took work and dedication to the craft. “(From The Void) is one of our first songs we wrote years back. As we were organizing how we wanted to arrange this chaotic record, this was one that was a pleasant surprise in terms of fitting into the final sequence of the album. The process was extremely quick and reflected exactly what the song is, which is a rant on social evaluation.” Rob went on to say further, “To give a simple explanation without giving up the whole story, it’s an observation on the overly observational and judgmental human tossed into a short story.”

Do yourself a favor: pop in your headphones, listen to the brand new single below, and don’t be afraid to get wild with it. If you’re feeling this darker side of Thelvnguage, catch them tomorrow night (1/18/19) at The Underground - the only movement for all-ages music in the Bronx.

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Marcus Machado Sticking To His Guns On New Single "I Can't Loose"

Marcus Machado is back with a brand new single, “I Can’t Lose,” feat. Jermaine Holmes. 

The young electrified gun slinger released his first single of 2018 and it’s the cornerstone track off an impressive musical score for the independent film, “Blue Diamonds,” directed by Patrick House. The film was recently selected to be featured at the Hip Hop Film Festival in New York City next month.

A rising guitarist whose been sought with critical acclaim and prestige, Marcus Machado has become one of the most respected young guitarist in the industry. Amongst his works, Machado has worked with both contemporary soul and jazz artists such as Robert Glasper, Anderson.Paak, D'Angelo, Lalah Hathaway and Living Colour. 

On his latest single, Machado comes in with a bluesy sound that riffs with confidence, attitude and survival. The song is ripe with electrified jazzy elements that gorgeously wraps around a classic soulful vocal by Jermaine Holmes. One of the lead vocalists from D'Angelo's renowned touring outfit, The Vanguard, Holmes gives, "I Can't Lose," an authentic R&B feel that's bold, commanding and soothingly elegant. His defiantly loose singing and decadent melodies are inviting and keeps listeners at attention while enjoying this gem of a record.

Machado's long awaited single is a must listen and a great addition to anyone's weekly playlist. 

"I Can't Lose" is out now on all digital and streaming platforms.

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Ayo Reveals Emotion, Positivity and Love On Her New Self-titled Album

As an artist who has consistently defined her musical expression through emotion, reflection and love, it’s no wonder why Ayo’s latest record is a powerful account that showcases the artists’ recent challenges through gripping imagery, impeccable songwriting and passionate vocals that deliver a masterful composition to her listeners.

When asked to write a preview of Ayo’s fifth studio album, ahead of the record’s release party at New York City’s, DROM, on Wednesday, I was relatively excited based on Ayo’s extensive reach in the independent music scene over the past decade. With over 1.5 million records sold in 40 countries, Ayo’s versatility in her music, empathy towards each composition and gentle, yet harrowing nature of her voice details Ayo’s complex and focused approach towards her artistry.

In her latest self-titled album, “Ayo,” the Brooklyn-based artist concocts a blend of indie soul and contemporary folk, with a touch of hip-hop elements simmered in reggae. The expansive reach of her musical repertoire in these genres provides a level of versatility that offers a license to embellish in the sounds of Baduism, while also providing a firm contrast to the lyricism of Lauryn Hill – all while crafting a sound of her own that combines retro-pop-soul with the refine African percussions and the vivid storytelling of reggae folk.

Born to a Nigerian father and Romani mother in Cologne, Germany, Ayo was raised on the musical influences of American soul, reggae and Afro-beats that spawned her studying the violin, piano and guitar. At 21 years of age, Ayo re-located to London, diving her time between Paris and New York City on the way to earning her first opening act for Omar and Cody Chesnutt.  Ayo’s debut album, “Joyful,” hit Top 10 in four countries, performing with Babyface, winning prestigious European Music Awards and even appearing on the “Late Show with David Letterman” and “The Late Late Show with Craig Ferguson” in the United States.

Her musical approach, rich with honesty, sentiment and passion, releases a mist of positivity and emotion on each record of “Ayo,” guiding audiences to embrace their feelings and reflections on what’s been gained and lost. We see these components in songs such as “Nothing,” “Why” and “I Pray” which showcases Ayo’s vulnerability over these past five years with personal and career challenges.

On “Nothing,” Ayo offers us a reggae-soul inspired perspective on the material things in her life that she believed would make her feel better about herself, all while feeling empty as she realizes the void is just a temporary means of satisfaction. Composed over the African kalimba (strings) and loosely affirmed Afro-percussions, “Why” provides a heartfelt and revealing account on Ayo’s personal issues with her father and the stubbornness and grudges held within their relationships. Ayo’s enduring spirit on the recent challenges of her life, written over gently bright keys and a calming beats, are boldly displayed on “I Pray” as she reaches towards her spirituality for help during a possible career-ending situation.

Ayo also brings to the table a politically and socially charged record with, “Boom Boom,” regarding her outrage over the Mike Brown police shooting in Ferguson, Missouri in 2014. Ayo’s realism is illustrated through her temporary folk and reggae style composition that also challenges the issue of police brutality, social injustice and our government’s response towards these racially charged issues.

With emotion, love and positivity remaining a consistent theme throughout the album, Ayo pays homage to the city that developed her musical ear and early success – Paris. On “Paname” (the surname for the City of Lights), Ayo composes a more complex multi-cultural arrangement with hints of reggae, pop-infused soul and traditional Parisian sounds, such as the accordion, is apparent on the record. The song is written as a love letter to Paris for how the city made Ayo personally, musically and culturally.

Ayo even spreads her hip-hop wings on the contemporary soul records, “Forever & Beyond” and “All I Want,” which exemplifies Ayo’s love of Hip-hop and the lyricism that I represents in music. With deep percussion, smooth vocals and confident melodies, Ayo offers another take on her sound’s versatile and complex approach to her songwriting ability.

With a cascade of emotions over the past several years, Ayo latest record is a testimony to her artistry that thrives on feeling. From the passions of love to the politically/socially charged stance, “Ayo” delivers an account of the world around her both personally and culturally.

As one of the leading independent artist in the world, Ayo’s distinctive songwriting, vivid storytelling and revealing honesty that both painfully and respectively is released through each composition. Ayo’s languorous and delicate vocals, paired with profound musicianship and multi-cultured adaptations, is why Ayo is still a heart-warming figure in the independent music scene.

You can catch Ayo and the anticipated performance of her self-titled record this Wednesday at DROM in New York City. Doors open at 6:30pm with the show starting at 7:15pm. For more on Ayo, please follow her socials listed below and listen to her music on all digital streaming platforms today.

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