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℗ 2018 Young Money/Cash Money Records

℗ 2018 Young Money/Cash Money Records

Drake Draws Emotion & Raw Vulnerabilty On Scorpion

Christopher Vasquez July 12, 2018

In one of the most anticipated albums of 2018, Drake released his fifth studio album, Scorpion, last month in the midst of controversy, success and a scathing diss track from Pusha T that revealed Drake was hiding a child. The beef between Pusha T and Drake provided the ultimate prologue to what would become one of the central themes in Scorpion that had gossip blogs, newsfeed trolls and the entire hip-hop community buzzing.

On Pusha T’s, “The Story of Adidon,” the veteran emcee ripped Drake by claiming the OVO boss hid the existence of his son to make him the cornerstone of a marketing campaign for Drake’s new Addidas clothing line. The out-of-left-field allegation not only affected Drake’s credibility as an emcee (a diss track that hardly any rapper can come back from), but also Drake’s charming image, business accruement and the public persona - as simply - one of the “good guys” in a genre still filled with lust, glamour and violence.

Despite the backlash on his early fatherhood, Drake’s 25-track opus is a prolific account of the Toronto emcee’s/singer’s egotistical vulnerability, brutal honesty, unapologetic protection with success and the moral and psychological makeup of bad decisions with women. On top of these general Drizzy themes is an album that’s backed by one hell of a production helmed by Noah “40” Shebib, Boi-1-Da and other young production greats that helped give Scorpion its opulent and engaging sound.

The records gorgeous texture, and musical depth, is masterful woven with 40’s moody and euphoric compositions, smooth Afrobeat and a soulful kick reminiscent of Drake’s earlier works such as in Take Care and Nothing Was The Same. The doubled sided album displays two of Drake’s primary musical palettes - hip-hop and R&B – that he helped pioneer as a single genre: one where the synthesis of rapping/singing are the benchmark to his keys of success.

On side A, Drake’s riveting lyricism, signature metaphors and melodic approach expresses the emcees consistent style and mic-gripping execution that’s rich with an anxious charm, savvy punch-lines and provocative hooks.

On the album’s intro, “Survival,” Drake makes an impression entrance with blistering wordplay and ice-cold bars to display his frustrations from an already gruesome month. “Who’s giving out this much return on investment?” he flaunts with prolific conviction. On “Nonstop” and “Elevate,” however, is where that 40 and Drizzy connection works perfectly with club pounding beats, raw & distinctive flows and clean-cut melodies perfect for those summer night vibes.  “They been trying me, but I’m resilient, for real” Drake raps with authority on “Nonstop.” “I can’t go in public like civilian, for real.”

God's Plan (Official Video) - Directed by Karena Evans, Executive Producers Director X & Taj Critchlow & Produced by Fuliane Petikyan For Popp Rok. © 2018 Young Money Entertainment/Cash Money Records

Drake stunningly admits to having a son on the album’s 4th stint, “Emotionless,” over a refreshingly soulful sample of Mariah Carey’s MTV Unplugged performance of “Emotions.” “I wasn’t hidin’ my kid from the world,” he boasts. “I was hiding the world from my kid.” Drake further acknowledges his son’s existence with a brief semi-response for Pusha T on the audaciously smooth and soulfully addictive, “8 out of 10,” taunting, “Kiss my son on the forehead then kiss your ass goodbye. As luck would have it, I’ve settled into my role as the good guy.”

In addition to the chart-topping and philanthropic visuals of “God’s Plan,” Drake’s DJ Premier collaboration in, “Sandra’s Rose,” is another soul-sampled and mic-personified beauty that’s icing on the cake for an already eye-opening record. Here Drake’s expertise as a lyrical technician blossoms with Premier’s vivid production and classic sound.

Yet, on Scorpion’s side B is were Drake’s singing and soulful influences come into play with a more haunting and moody feel to the 90-minute record. Drake’s harmonious approach to the album’s second half is juicy, sensually smooth and painfully romantic – deeply influenced from his taste in classic soul and vocalists such as Sade and Phyllis Hyman.  

On the sudden slow-jam, “Peak,” Drake brings the tempo down to a hazy candle-lit forum with massaging beats and seductive harmonies. His song’s “Jaded” and “Finesse” are other pulsating tracks that Drake delivers with feelings of late-night cognac, passionate despair and steamy bedroom vibes.

The Toronto emcee also brings out a little puppy love with “Summer Games.” A song about a short-lived summer romance that’s fueled with razor edged synths perfect for dusks at the boardwalk.  Another interesting track on Side B is the posthumous feature of Michael Jackson on, “Don’t Matter To Me,” which has a mid-tempo rhythm and euphoric vibe that’s fits masterfully around Michael’s soulful and feathery vocals.

“Nice For What” (Official Video) - Performance by Drake © 2018 Young Money Entertainment/Cash Money Records

The club centric tracks “Nice For What” and “In My Feelings,” added a contrasting touch to the latter half of the album that revels in New Orleans bounce and tropical vibes. “Nice For What” has already seen a significant chart-topping success as the record’s second single and “In My Feelings” wouldn’t fall far from the tree. With a decadent hook, craving melodies and bars to knock to – “In My Feelings” is side B’s leading track for Scorpion.

Drake ends this odyssean 25-track album with “March 14” that touches upon his fatherhood and experiences of being raised with parents from a failed marriage. The song also dives into his current grappling with his son’s mother, adult film actress Sophie Brussaux, as well as his self-analysis of becoming a better parent.

Throughout all its toxicity, Drake winds back the clock on Scorpion by giving his fans a rubric of what made his career so compelling and universal in the first place: the bad-boy loving punch lines, lyrically precise mind and expressively glowing melodies that reverts back to the aesthetics of his freshman and sophomore albums.

Drake illustrates emotion and raw vulnerability on Scorpion. This time around, as more than its predecessors, Drake's new album relies on a self-examining honest approach that revels in shortcoming tones and bustling fragility. This delicacy of Drake's lyricism and musical style illustrate his own admission of the truth and his definitive role as a young father. It’s one of the many reasons why Scorpion is such an intriguing record in which Drake challenges himself like he's never done before.

 

Drake

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In Drake, Scorpion, OVO Sound, Young Money, Cash Money, God's Plan, Nice For What, In My Feelings, New Music, Album Recap, TFAK, Toronto, 6God Tags drake, scorpion, hiphop, rap, toronto, thestoryofadidon, fatherhood, family, son, ovo, pushat, kanyewest, cashmoneyrecords, youngmoneyentertainment, sophiebrussaux, sandrasrose, emotionless, survival, nonstop, elevate, 8outof10, godsplan, niceforwhat, inmyfeelings, peak, jaded, finesse, summergames, dontmattertome, march14, michaeljackson, 40, noah40shebib, boi1da, ovosound, ovoclick, sixgod, champagnepapi, the6, newalbum, newmusic, newmusicfridays, rhymes, melodies, lyrics, tfak, thefoxandkinginc, drizzy
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℗ 2018 Dreamville, Inc., Under exclusive license to Roc Nation Records

℗ 2018 Dreamville, Inc., Under exclusive license to Roc Nation Records

J. Cole Tackles The Consequences of Addiction on "KOD"

Christopher Vasquez April 26, 2018

J. Cole's new album, "KOD," is a profound critique, and tailored exploitation, on the consequences of addiction in our society.

The North Carolina emcee, whose transition from hip-hop hitmaker to hip-hop activist, followed up 2016's, "4 Your Eyez Only," with a superb record that accounts for Cole's experiences with addiction seen through the windows of his own personal struggles.

Across this 12 piece epic, however, Cole also finds room to tackle some of America's other controversial and polarizing subjects – including the government's response to gun violence, depression/anxiety and the hypocrisies of Black America & urban culture. There's even room for a "lil" beef with today's trap stars and emo-rappers, as Cole also addresses the state of hip-hop with the genre's future artists.

On "KOD" (or depending on how you wish to decipher the acronym - "Kids on Drugs," "King on Drugs" or "Kill our Demons"), Cole encourages listeners to steer away from drugs through the polarizing storytelling and expressive lyrical ability that harbors his own personal battles with addiction during his childhood and adult life.

On "Once an Addict (Interlude)" Cole's vulnerability takes whole when he opens a window for listeners to view some of the emcees most intimate challenges. The song speaks on his mother's addiction with drugs and alcohol and their frictional relationship during his upbringing. Cole also addresses his own addition, both personally and professionally, on "Breakdown;" while also poised with relying on drugs to escape from his opportunistic friendships on "The Cut Off."

J. Cole - ATM (Official Music Video) - Directed by Scott Lazer. © 2018 Dreamville, Inc., Under exclusive license to Roc Nation Records

Cole also touches upon his success in contrasts to the misfortunes that surrounded his former circle on “Friends.” He combines this concept of guilt and blessing with a stance on how success can be misleading. On “Brackets,” Cole enlightens listeners to re-think about the fruits of their labor and the effects of taxation on our urban communities. Cole offers us a little humor, however, where he references one of Richard Pryor’s old stand-up skits at the beginning of the song, offering another perspective on how money is viewed in our society. While on, "ATM," Cole shows us his own perspective on money and it's lack of importance due to its a temporary void.

And what’s a Cole world without songs about love, sex and infidelity? On “Photograph,” Cole’s swag and tenacity on the mic discusses the mirage of love in the digital age where online-dating sites and matchmaking apps remain apparent. Cole also issues an exposition on infidelity and selfishness with, “Kevin’s Heart,” which is titled from Kevin Heart’s cheating scandal. The song dictates the lack of appreciation men have for a faithful woman and the emotional consequences that are conveyed.

J. Cole - Kevin's Heart (Official Music Video) - Starring Kevin Heart. Directed by J. Cole & Scott Lazer. © 2018 Dreamville, Inc., Under exclusive license to Roc Nation Records

At the album’s conclusion, Cole’s song, “1985 (Intro to “The Fall Off”),” set’s off another heated commentary and lecture on hip hop’s mumble and emo-rap culture. This critique is specifically geared to the longevity and sustainability of emcees set in a genre-trending sound. With warnings of fiscal irresponsibility, a falling off sound, and ultimately, the lost of an audience, J. Cole’s shots at today’s youth speak to his experiences of how rappers have risen and fallen over the course of his career. With Cole’s on going feud with this new form of hip hop, this song allegedly aims at such charting trappers such as Lil Uzi Vert, Smokepurpp and Lil Pump, who have also had words for Cole in the last year.

J. Cole mastery on “KOD” illustrates again how persistent Cole’s dominance has been in the game today. With enduring storytelling, daring vulnerability and profound empathy, the Dreamville emcee forces us to reflect on the gifts that we take for granted.

From the painful consequences of America’s drug epidemic to the hypocrisies that are endured throughout our urban communities, Cole’s activism, through lyrical brilliance and prolific expression, makes “KOD” one of the most daring and intriguing albums of 2018 so far.

Along with stern commentary on today’s rising emcees in the trap/emo-rap space, as well as an onslaught on man’s infidelity, Cole continues to be the exceptional voice for today’s hip hop generation.

Listen, steam and download “KOD” on all digital streaming platforms today.

 

J. Cole

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In J. Cole, KOD, Dreamville, Roc Nation, Hip Hop, New Music, New Album, Kids On Drugs, Album Review, King On Drugs, Kill Our Demons Tags jcole, kod, brackets, friends, atm, onceanaddict, kidsondrugs, killourdemons, kingondrugs, hiphop, indiehiphop, trap, newmusic, newmusicfridays, rhymes, bars, lyrics, poetry, drugs, addiction, depression, anxiety, blackamerica, urbanculture, 1985, dreamville, rocnation, photograph, kevinsheart, breakdown, relapse, recovery, chronic, opioids, sedatives, tfak, thefoxandkinginc
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The Fox and King | Music, Branding, The Bronx, Est. 2011

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