Houston’s very own, Travis Scott, released his third studio album, Astroworld, this month that has already received critical acclaim and chart-topping success. A montage to a long lost amusement park from his hometown, Astroworld pulsates as a collage of celestial imagery, superb production and a dazzling psychedelic world that’s curated through Scott’s lyrical talent and euphoric vocals.

Undoubtedly one of his strongest albums to date, Travis Scott’s creative approach and surreal artistry has risen the 26-year old emcee to mainstream dominance, recording along side the likes of Kanye West, Drake, Migos, The Weeknd, Nicki Minaj, Frank Ocean and others.

A self-proclaimed singer than rapper, Scott’s preferred auto-tuned style offers a trippy-sounding and cloudy vibe to his music – two components that allow listeners to be lost in a hallucinating penumbra of unexpected musical arrangements, mesmerizing sound and alluring lyricism. Scott’s mastery in the studio is shown exponentially on Astroworld and it’s an approach that allows for an excellent listen from start to finish.

On the opening track, “Stargazing,” Scott crawls over a beautifully spellbinding production that’s both inviting and haunting - an experience that opens listeners to a euphoric and illusionary sound that cascades throughout the record.

Travis Scott showcases his continued dominance in social media and pop culture with the hit record “Sicko Mode” Feat. Drake. Drake’s savvy flow and witty bars, mixed with Scott’s smooth rhyme play, work beautifully over a multi-faceted beat that’s both catchy and inviting.

“Stop Trying To Be God” - By Travis Scott, Featuring Philip Bailey, James Blake, Kid Cudi and Stevie Wonder on harmonica Directed by Dave Meyers (c) 2018 Epic Records, a division of Sony Music Entertainment. With Cactus Jack and Grand Hustle.

The extravagant and charismatically pleasing, “R.I.P. Screw” highlights Scott’s artistry with a potent and gorgeous aesthetic that meshes among groovy hypnotic chords. While Scott’s collaborations with John Mayer and Thundercat on, “Astrothunder,” illustrates the young producer’s depth with genre-trending ingredients that’s euphorically decadent and elegantly refined.

On the passionately spicy, “Wake Up,” Scott teams up with The Weeknd for a soulful R&B track that’s ripe with auto-tune finesse, romantic honesty and steamy finishes. Scott also rolls his pop endeavors on the heavy vocal, “Stop Trying To Be God,” where Scott crawls though an auto-tuned entrenched vibe that’s backed by Kid Cudi's addictive humming and Stevie Wonders signature harmonica

Scott turns up the heat on the trap hits, “Butterfly Effect” and “Houstonfornication,” that enhances his illusionary and bugged-out approach with stellar execution and a complex tailored flow.

Scott closes out his impressive record with “Coffee Bean” - a critique on his unexpected child and relationship differences with Kylie Jenner. The song displays Scott at the peak of his game with an honest display of lyrical bars; deep cut arrangements and formidable storytelling that allows Scott to bare all humility. A segment that reigns throughout Scott’s archaic funhouse-obsessed concept.

With a neon display of cosmic sounds, strobe-influenced arrangements and absorbingly complex vocals, Travis Scott’s, Astroworld, is a magnificent achievement that’s warm, inspiring and precise. Scott’s skillfully curated sound, both through production and voice, allows this project to be a pleasing aesthetic that bustles with sticky creativity and impressive musical command. As hip-hop continues to raise the bar on expressive, unique and genre-binding music, Travis Scott pushes further. He stands atop as the ringleader of his own visionary and abstract musical carnival – a circus that we’re all paying top dollar for.

Add Astroworld to your summer playlist today.

Travis Scott

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Sharp, sexy and refined - the R&B outfit, The Internet, released their fourth album, Hive Mind, last month as the band continues to showcase their artistic approach towards meshing the sounds of soul, funk, hip-hop and jazz.

Coming off the heels of their breakthrough Grammy nominating album, Ego Death, The Internet offers us more of a holistically entrenched production that blossoms with robust compositions, groovy basslines and a seductive attitude bleeding with stories of passion, control and lust.

Initially presented as an Odd Future one-off project, the alternative jazz/R&B band were formed by singer-songwriter Sydney Bennett (aka Syd the Kid or Syd) and producer Matthew Martians. The two quickly teamed up with bassist Patrick Paige II, drummer Christopher Smith and producer/singer-songwriter Steve Lacey, ring quickly up the ranks in the contemporary R&B and urban jazz space.

The Internet's "Roll (Burbank Funk)" taken from the new album HIVE MIND - Director: Joe Weil Producer: Sam Canter Co-Producer: Christian Sutton Prod.

The Internet distinguished themselves early from many of their independent counterparts with the release of their debut album, Purple Naked Ladies (2011), and illustrating their writing and musicianship on their second album Feel Good (2013). 2015's, Ego Death, hit the billboard Top Ten and nominated for a Grammy in the category of "Best Urban Contemporary Album."

After a brief hiatus to work on solo projects, The Internet brought back their musical talents on Hive Minds solidifying a retro-contemporary and fusion jazz/R&B record that's bold, sleek and invigorating.

On the chorus singing opener, "Come Together," The Internet showcases their bread & butter with a clever jazzy piece ripe with addictive guitar play, smooth baselines and a surrounding vocal of the bandmates singing in harmony. An ironic response to their nearly three year absence from recording together. The Internet gets down and funky with "Roll (Burbank Funk)" that's perfect for any dance floor this summer. With an infectious beat, erotic synths and instructive melodies, The Internet opens the album beautiful from this record.

The Internet's "Come Over" is taken from the new album HIVE MIND - Director: Syd Executive Producers: Nathan Scherrer & Jeff Kopchia Producers: Tiffany Suh

Syd's signature vocals on the provocative and flirtatiously rich, "Come Over," breathes passion and seduction atop of a nasty guitar riff by Steve Lacey. Syd's sensual melodies and gushy romanticism longs to see her soon-to-be lover intimately alone at her place. On the gorgeously brilliant "Next Time/Humble Pie," The Internet truly displays the evolution of their musical composition and production, as two songs are combined into one, narrating Syd's back-and-forth love game with a woman whose caught her eye.

Some of the final cuts off this phenominal record, "Beat Goes On" and "Wanna Be," display Syd's and Martians' leading affects on the band through their vivid storytelling, hip-hop driven beats and innovative arrangements that maximize The bands musical approach. On the Martians lead "Beat Goes On," the song's alluring production, soul-centered groove and jammed-out beat makes for another great dance record to get your two-step on. While Syd's "Wanna Be," gives listeners another hauntingly romantic tale of longtime friends flirting with the idea of being lovers.

The Internet's "La Di Da" is taken from the new album HIVE MIND - Directed by Matt Martians, Produced by Jeff Kopchia, Edited by Syd and Shot by Alan Lear, Bryant

Hive Mind's brilliance is centered between the cross roads of where The Internet's diverse sounds and unsegmented versatility meet. With alluring compositions and stellar arrangements, The execution on this album is flawless and some of the smoothest and concise music The Internet has released to date. It's why "Hive Mind" is a must have album on your summer playlist and one that's perfect to listen and dance.

The Internet

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Travis Scott Ascends On His Own Psychedelic Musical Carnival With "Astroworld"

The Internet Delivers A Smooth, Concise & Sleek New Album With "Hive Mind"

The Fox and King | Music, Branding, The Bronx, Est. 2011